Perfect on Paper - second hand

Written with beauty and grace, award-winning author Shelley Bates pens the compelling story about the unstoppable force of the emergent self.

Dinah Traynell is trapped in a life that is not her own. Raised in a toxic church, she is forced to surrender mentally and physically to her sociopathic pastor’s every demand. Even while mourning the loss of her father, Dinah must hold strong to this role she’s reluctantly played all her life. And though she dreams of escape, this is the only world she’s ever known. When Dr. Matthew Nicholas appears on Dinah’s doorstep in the dark of night, he’s burdened with troubles of his own. Leaving behind his university position, Matthew has been traveling to escape the trauma of his old life--that is, until he’s robbed of what means he has left for his journey. Stranded, penniless, and still ill-at-ease with his life’s turn of events, he’d rather lend a helping hand on a stranger’s ranch than go home. Instantly drawn to Dinah, Matthew is torn between his desire to help her and the fear of getting too involved. But as Dinah struggles with the realization that the faith she grew up believing in is not real, and an abandoned baby is unexpectedly dropped into their lives, they must learn to open up and trust one another--if either ever hopes to break free of the past.

"Shanghai, 1930s. Shen Shijun, a young engineer, has fallen in love with his colleague, the beautiful Gu Manzhen. He is determined to resist his family's efforts to match him with his wealthy cousin so that he can marry the woman he truly loves. But dark circumstances--a lustful brother-in-law, a treacherous sister, a family secret--force the two young lovers apart. As Manzhen and Shijun go on their separate paths, they lose track of one another, and their lives become filled with feints and schemes, missed connections and tragic misunderstandings. At every turn, societal expectations seem to thwart their prospects for happiness. Still, Manzhen and Shijun dare to hold out hope--however slim--that they might one day meet again. A glamorous, wrenching tale set against the glittering backdrop of an extraordinary city, Half a Lifelong Romance is a beloved classic from one of the essential writers of twentieth-century China"

Heart of Darkness

Few literary works have achieved the sustained, unflinching pessimism of Heart of Darkness, Joseph Conrad's haunting tale of one man's journey into the African subcontinent. One new novel that can justly make that claim is The Catastrophist, by the talented Irish writer/activist Ronan Bennett. Here, Conrad's classic tale is transmogrified by a century of irony, Westernization, and a tip of the hat to Graham Greene and John le Carré. Benett's Marlow is James Gillespie, an Irish historian turned novelist who travels to the Congo in 1959. Set against the death throes of the age of imperialism, the new nation's violent struggle for independence from Belgium provides ample opportunity for Gillespie to explore the dark territory of political and emotional engagement.

Gillespie's Kurtz, the figure who draws him to the Congo and whose maddening attachment to the place both fascinates and repulses him, is Inès, a fiery Italian journalist, who pens fiercely pro-Congolese articles for a radical newspaper. Inès and Gillespie met in London at the house of Gillespie's publisher, and soon after, were heading to Ireland for a romantic getaway. Inès was smitten instantly ("I am already loving you" she whispers as they first make love), but Gillespie, considerably less headstrong, was slower to recognize his feelings. Following Inès to Léopoldville (Kinshasa), the Congolese capital, was his emotional plunge, his gesture toward commitment. But soon after his arrival, Gillespie realizes that he has been displaced from Inès's attentions by her devotion to Patrice Lumumba, the charismatic Congolese independence leader. Gillespie, on the other hand, is incapable of viewing the disorganized independence movement as anything more than an unfortunate farce; nor does he sympathize with the Belgians in Léopoldville, who live in cloistered luxury, walled off from the cité indigène -- "where the blacks live" -- by well-patrolled walls and their own willful obliviousness.