The Power Of Now - second hand

Over the last year, award-winning journalist and videographer Max Blumenthal has been behind some of the most sensational (and funniest) exposés of Republican machinations. Whether it was his revelation that Sarah Palin was "anointed" by a Kenyan priest famous for casting out witches, or his confronting Republican congressional leaders and John McCain's family at the GOP convention about the party's opposition to sex education (and hence, the rise in teen pregnancies like that of Palin's daughter), or his exposé of the eccentric multimillionaire theocrat behind California's Prop 8 anti-gay marriage initiative, Blumenthal has become one of the most important and most constantly cited journalists on how fringe movements are becoming the Republican Party mainstream.

Republican Gomorrah is a bestiary of dysfunction, scandal and sordidness from the dark heart of the forces that now have a leash on the party. It shows how those forces are the ones that establishment Republicans-like John McCain-have to bow to if they have any hope of running for President. It shows that Sarah Palin was the logical choice of a party in the control of theocrats. But more that just an expose, Republican Gomorrah shows that many of the movement's leading figures have more in common than just the power they command within conservative ranks. Their personal lives have been stained by crisis and scandal: depression, mental illness, extra-marital affairs, struggles with homosexual urges, heavy medication, addiction to pornography, serial domestic abuse, and even murder. Inspired by the work of psychologists Erich Fromm, who asserted that the fear of freedom propels anxiety-ridden people into authoritarian settings, Blumenthal explains in a compelling narrative how a culture of personal crisis has defined the radical right, transforming the nature of the Republican Party for the next generation and setting the stage for the future of American politics.

A source of endless fascination and speculation, the subject of countless biographies, novels, and films, Elizabeth I is now considered from a thrilling new angle by the brilliant young historian Tracy Borman.

So often viewed in her relationships with men, the Virgin Queen is portrayed here as the product of women: the mother she lost so tragically, the female subjects who worshiped her, and the peers and intimates who loved, raised, challenged, and sometimes opposed her.

In vivid detail, Borman presents Elizabeth’s bewitching mother, Anne Boleyn, eager to nurture her new child, only to see her taken away and her own life destroyed by damning allegations--which taught Elizabeth never to mix politics and love. Kat Astley, the governess who attended and taught Elizabeth for almost thirty years, invited disaster by encouraging her charge into a dangerous liaison after Henry VIII’s death. Mary Tudor (“Bloody Mary”) envied her younger sister’s popularity and threatened to destroy her altogether. And animosity drove Elizabeth and her cousin Mary Queen of Scots into an intense thirty-year rivalry that could end only in death.

Elizabeth’s Women contains more than an indelible cast of characters. It is an unprecedented account of how the public posture of femininity figured into the English court, the meaning of costume and display, the power of fecundity and flirtation, and how Elizabeth herself, long viewed as the embodiment of feminism, shared popular views of female inferiority and scorned and schemed against her underlings’ marriages and pregnancies.

Brilliantly researched and elegantly written, Elizabeth’s Women is a unique take on history’s most captivating queen and the dazzling court that surrounded her.