The Curious Incident of the Dog In the Night-time - second hand

Argen­tine author Marce­lo Bir­ma­jer uses his recur­ring char­ac­ter, Javier Mosan, to present a com­pli­cat­ed polit­i­cal tale with roots in his country’s trou­bled past. Mosan, a jour­nal­ist who does his best to avoid writ­ing sto­ries, spends a great deal of time indulging in sex­u­al fan­ta­sy. When his edi­tor asks him to inter­view Elias Traúm, an Argen­tinean who now lives in Israel, he thinks that it is just anoth­er rou­tine assign­ment. Traúm and two dead friends were known as the  “three mus­ke­teers” when they fought in the left-wing Per­o­nist guer­ril­la group, the Mon­toneros. Javier goes to the air­port to meet Traúm and ends up get­ting a severe beat­ing. Traúm is kid­napped. He is lat­er dumped by the side of the road and, Javier, relieved to learn that they both sur­vived, finds him­self drawn to the account of Traúm’s past despite orders from his edi­tor to drop the sto­ry. Read­ers who enjoyed Nathan Englander’s The Min­istry of Spe­cial Cas­es will find this com­pelling, too. It pro­vides insight into the world of Argentina’s Jew­ish com­mu­ni­ty as well as a top-notch con­spir­a­cy plot.

A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality―the black Chinese restaurant.

Born in the "agrarian ghetto" of Dickens―on the southern outskirts of Los Angeles―the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral.

Fueled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident―the last surviving Little Rascal, Hominy Jenkins―he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.

Lady Georgiana Rannoch, thirty-fifth in line for the British throne, knows how to play the part of an almost royal—but now she’s off to Hollywood, where she must reprise her role as sleuth or risk starring in an all-too-convincing death scene…
 
My mother, the glamorous and much-married actress, is hearing wedding bells once again—which is why she must hop across the pond for a quickie divorce in Reno. To offer my moral support, and since all expenses are paid by her new hubby-to-be, Max, I agree to make the voyage with her.
 
Crossing the Atlantic, with adventure in the air and wealthy men aboard, Mother all but forgets about Max and matrimony—especially when movie mogul Cy Goldman insists on casting her in his next picture.
 
Meanwhile, I find myself caught up in the secret investigation of a suspected jewel thief. Lucky for me, the lead investigator happens to be my dashing beau, Darcy!
 
Mother’s movie and Darcy’s larceny lead everyone to Cy’s Hollywood home, where the likes of Charlie Chaplin are hanging about and there’s enough romantic intrigue to fill a double feature. But we hardly get a chance to work out the sleeping arrangements before Cy turns up dead—as if there wasn’t enough drama already…

"Terrific stories...Just about perfect" ( Entertainment Weekly ): Brownsville is the collection that established Oscar Casares as one of the leading voices in the literature of the modern Southwest.



At the country's edge, on the Mexican border, Brownsville, Texas, is a town like many others. It is a place where people work hard to create better lives for their children, where people bear grudges against their neighbors, where love blossoms only to fade, and where the only real certainty is that life holds surprises.



In his sparkling debut, Oscar Casares creates a cast of unforgettable characters confronting everyday possibilities and Diego, an eleven-year-old whose job at a fireworks stand teaches him a lesson in defiance; Bony, a young man whose discovery of a monkey's head on his lawn drives a wedge between him and his parents; Lola, whose stolen bowling ball offers an unlikely chance for change. The achievement of Brownsville lies in its remarkably honest portrayal of these lives -- the lives of people whose dreams and yearnings and regrets are at once unique and universal.




"Marvelous... Brownsville resembles early Steinbeck work more than anything else." --Carolyn See, Washington Post