A gripping contemporary novel that examines the American dream through the lens of two families living side by side in an idyllic neighborhood, and the one summer that changes their lives irrevocably, from the New York Times bestselling author of Z and A Well-Behaved Woman.

In Oak Knoll, a verdant, tight-knit North Carolina neighborhood, professor of forestry and ecology Valerie Alston-Holt is raising her bright and talented biracial son. Xavier is headed to college in the fall, and after years of single parenting, Valerie is facing the prospect of an empty nest. All is well until the Whitmans move in next door—an apparently traditional family with new money, ambition, and a secretly troubled teenaged daughter.

Thanks to his thriving local business, Brad Whitman is something of a celebrity around town, and he's made a small fortune on his customer service and charm, while his wife, Julia, escaped her trailer park upbringing for the security of marriage and homemaking. Their new house is more than she ever imagined for herself, and who wouldn't want to live in Oak Knoll?

But with little in common except a property line, these two very different families quickly find themselves at odds: first, over an historic oak tree in Valerie's yard, and soon after, the blossoming romance between their two teenagers. Told in multiple points of view, A Good Neighborhood asks big questions about life in America today — what does it mean to be a good neighbor? How do we live alongside each other when we don't see eye to eye? — as it explores the effects of class, race, and heartrending star-crossed love in a story that’s as provocative as it is powerful.

An extraordinary story of friendship and love across class lines, this rich, evocative novel traces the history of modern Italy, from 1975 to 2013, through the fate of one couple.

Valerio and Olivia grow up together in the Morganti family’s opulent villa in Bologna, inseparable friends even though they come from vastly different worlds: Olivia, the Morgantis’ daughter, is the heir to a large industrial fortune, while Valerio is the son of their gardener and maid. Largely sheltered from the dangers rampant in the unstable Italy of the 1970s, the two share their first innocent kiss at five years old, which heralds the start of a decades-long relationship.

From Valerio having to move to a poor neighborhood in Rome and Olivia making her entrance in high society, life tries to separate them at every turn, but without success, so strong is the bond between them. Year after year they meet only for a few moments, which feel like they’re eternal, and their friendship turns into something more intense, and scary. They take different paths: Olivia travels the world looking for herself, while Valerio devotes himself to a prestigious career that doesn’t satisfy him, in a country that is quickly losing its identity in the political crises of the Berlusconi era. Still, they keep meeting again and again at crossroads in life.

Heart of Darkness

Few literary works have achieved the sustained, unflinching pessimism of Heart of Darkness, Joseph Conrad's haunting tale of one man's journey into the African subcontinent. One new novel that can justly make that claim is The Catastrophist, by the talented Irish writer/activist Ronan Bennett. Here, Conrad's classic tale is transmogrified by a century of irony, Westernization, and a tip of the hat to Graham Greene and John le Carré. Benett's Marlow is James Gillespie, an Irish historian turned novelist who travels to the Congo in 1959. Set against the death throes of the age of imperialism, the new nation's violent struggle for independence from Belgium provides ample opportunity for Gillespie to explore the dark territory of political and emotional engagement.

Gillespie's Kurtz, the figure who draws him to the Congo and whose maddening attachment to the place both fascinates and repulses him, is Inès, a fiery Italian journalist, who pens fiercely pro-Congolese articles for a radical newspaper. Inès and Gillespie met in London at the house of Gillespie's publisher, and soon after, were heading to Ireland for a romantic getaway. Inès was smitten instantly ("I am already loving you" she whispers as they first make love), but Gillespie, considerably less headstrong, was slower to recognize his feelings. Following Inès to Léopoldville (Kinshasa), the Congolese capital, was his emotional plunge, his gesture toward commitment. But soon after his arrival, Gillespie realizes that he has been displaced from Inès's attentions by her devotion to Patrice Lumumba, the charismatic Congolese independence leader. Gillespie, on the other hand, is incapable of viewing the disorganized independence movement as anything more than an unfortunate farce; nor does he sympathize with the Belgians in Léopoldville, who live in cloistered luxury, walled off from the cité indigène -- "where the blacks live" -- by well-patrolled walls and their own willful obliviousness.