THE PENAL COLONY - SECOND HAND

An artist lost to history, a family abandoned to its secrets, and the woman whose search for meaning unearths it all in a sweeping and expressive story from the New York Times bestselling author of Letters from Paris.Long, lonely years have passed for the crumbling Château Clement, nestled well beyond the rolling lavender fields and popular tourist attractions of Provence. Once a bustling and dignified ancestral estate, now all that remains is the château's gruff, elderly owner and the softly whispered secrets of generations buried and forgotten. But time has a way of exposing history's dark stains, and when American photographer Cady Drake finds herself drawn to the château and its antique carousel, she longs to explore the relic's shadowy origins beyond the small scope of her freelance assignment. As Cady digs deeper into the past, unearthing century-old photographs of the Clement carousel and its creators, she might be the one person who can bring the past to light and reunite a family torn apart.

Calder White lives in the cold, clear waters of Lake Superior, the only brother in a family of murderous mermaids. To survive, Calder and his sisters prey on humans and absorb their positive energy. Usually, they select their victims at random, but this time around, the underwater clan chooses its target for a reason: revenge. They want to kill Jason Hancock, the man they blame for their mother's death.

It's going to take a concerted effort to lure the aquaphobic Hancock onto the water. Calder's job is to gain Hancock's trust by getting close to his family. Relying on his irresistible good looks and charm, Calder sets out to seduce Hancock's daughter Lily. Easy enough, but Calder screws everything up by falling in love - just as Lily starts to suspect there's more to the monster-in-the-lake legends than she ever imagined, and just as the mermaids threaten to take matters into their own hands, forcing Calder to choose between them and the girl he loves.

One thing's for sure: whatever Calder decides, the outcome won't be pretty.

John Collier's edgy, sardonic tales are works of rare wit, curious insight, and scary implication. They stand out as one of the pinnacles in the critically neglected but perennially popular tradition of weird writing that includes E.T.A. Hoffmann and Charles Dickens as well as more recent masters like Jorge Luis Borges and Roald Dahl. With a cast of characters that ranges from man-eating flora to disgruntled devils and suburban salarymen (not that it's always easy to tell one from another), Collier's dazzling stories explore the implacable logic of lunacy, revealing a surreal landscape whose unstable surface is depth-charged with surprise.

The solitude of the Upper Michigan Peninsula is Michael Collins’s heart of darkness in this compelling story of the unquiet dead. Frank Cassidy’s parents burned to death almost thirty years ago; now his uncle is dead—shot by a mysterious stranger who lies in a coma in the local hospital. Frank, working menial jobs to support his unfaithful wife and two children, heads north in a series of stolen cars to dispute his cousin’s claim to the family farm. Once there, Frank wants answers, but realizes that what he is searching for—and the promise of the American Dream—is quickly receding from his grasp. Brilliant and unsettling, The Resurrectionists is an ironic yet chilling display of American culture in the seventies and a compassionate novel about a man struggling to overcome the crimes and burdens of his past.