THE PENAL COLONY - SECOND HAND

From breathtaking stop-action animation to bittersweet modern fairy tales, filmmaker Tim Burton has become known for his unique visual brilliance – witty and macabre at once. Now he gives birth to a cast of gruesomely sympathetic children – misunderstood outcasts who struggle to find love and belonging in their cruel, cruel worlds. His lovingly lurid illustrations evoke both the sweetness and the tragedy of these dark yet simple beings – hopeful, hapless heroes who appeal to the ugly outsider in all of us, and let us laugh at a world we have long left behind (mostly anyway).

From the acclaimed author of The Ash Garden —“an illuminating searchlight on the terra incognita where the personal and the political intersect” (Newsday) —an even more ambitious novel that follows a doctor from the trenches of the Great War into subsequent conflicts whose horrors would soon envelop the world.

The historical Norman Bethune—legendary in both his native Canada and China—was a visionary whose dedication touched millions, and as the narrator of this novel he springs to vivid life even as he approaches its end. Rebelling in childhood against his father’s religion, he finds a calling himself, saving lives on the battlefield, only after nearly losing his own in the trenches in France. In Republican Spain he fulfills his idealism, yet before long politics destroy a romance, compromise his achievement, and drive him to seek refuge and purpose in the vast expanse of China. Here, in the service of the man eventually known as Mao Zedong, Bethune contends with Nationalist and Japanese enemies and begins this account of failed loves, cherished beliefs, discoveries, and reversals for the only person who still makes a future seem the daughter he has never seen.
 
Storytelling at its best—passionate, wrenching, compelling—about a complex, contradictory man caught in the relentless sweep of history.

When Catherine Gehrig, a museum conservator in London, falls into grief after her lover’s sudden death, her boss gives her a special project. She will bring back to “life” a nineteenth-century mechanical bird. As she begins to piece together the automaton, Catherine also uncovers the diaries of Henry Brandling, who, more than a hundred years prior, had commissioned the bird for his very ill son. Catherine finds resonance and comfort in Henry’s story, but it is the mechanical creature itself, in its uncanny imitation of life, that will link these two people across a century. Through the clockwork bird, Henry and Catherine will confront the mysteries of creation, the power of human invention, and the body’s astonishing chemistry of love and feeling.