THE PENAL COLONY - SECOND HAND

The first encyclopedic review in English of Lucette Desvignes' literary output. The prose, theater and poetry of France's most interesting contemporary authors is presented in a deft juxtaposition of commentary and translated extracts, interspersed by numerous illustrations and photos and completed by an extremely complete bibliography.

One day an illiterate Algerian immigrant in Lyon gave his son, Azouz Begag, a book, saying, “This book is a bird.” How Begag took flight on the wings of learning is one of the stories that unfolds in this captivating autobiographical novel of growing up amid the multicultural complexities of contemporary France. 

Determined to leave behind the poverty of his shantytown life, Begag works to become a star pupil at the local primary school—earning the jealousy and rejection of his Arab playmates even as he contends with the anti-Arab racism of his French peers. Begag’s moving and often comical account of negotiating a path between the competing cultural spaces encountered during his childhood is a compelling tale of coming of age in a world of ethnic and racial tensions. A story for all ages, it is also very much of the moment, offering unique insights into the reweaving of the social fabric of France in response to growing ethnic diversity.

John Collier's edgy, sardonic tales are works of rare wit, curious insight, and scary implication. They stand out as one of the pinnacles in the critically neglected but perennially popular tradition of weird writing that includes E.T.A. Hoffmann and Charles Dickens as well as more recent masters like Jorge Luis Borges and Roald Dahl. With a cast of characters that ranges from man-eating flora to disgruntled devils and suburban salarymen (not that it's always easy to tell one from another), Collier's dazzling stories explore the implacable logic of lunacy, revealing a surreal landscape whose unstable surface is depth-charged with surprise.