THE PENAL COLONY - SECOND HAND

From the Booker Prize-winning author of Possession comes this richly imaginative story collection that transports the reader to a world where opposites--passion and loneliness, betrayal and loyalty, fire and ice--clash and converge.

A beautiful ice maiden risks her life when she falls in love with a desert prince, whose passionate touches scorch her delicate skin. A woman flees the scene of her husband's heart attack, leaving her entire past behind her. Striving to master colour and line, a painter discovers the resolution to his artistic problems when a beautiful and magical water snake appears in his pool. And a wealthy Englishwoman gradually loses her identity while wandering through a shopping mall. Elegantly crafted and suffused with boundless wisdom, these bewitching tales are a testament to a writer at the height of her powers.

The ‘bonkers’ book that 'it is impossible not to be moved by' DAILY MAIL

A joyful and hilarious tale of some very spirited septuagenarians as they overcome innumerable obstacles to save their beloved mutt from a heartless exterminator in a land where bureaucracy reigns above all else.

Perhaps you’re not a member of the Azov House of Culture Elderly Club?

Perhaps you missed the talk on the Cabbage Root Fly last week?

Galina Petrovna hasn’t missed one since she joined the Club, when she officially became old. But she would much rather be at home with her three-legged dog Boroda. Boroda isn’t ‘hers’ exactly, they belong to each other really, and that’s why she doesn’t wear a collar.

And that’s how Mitya the Exterminator got her.

And that’s why Vasily Semyonovich was arrested.

And Galina had to call on Zoya who had to call on Grigory Mikhailovich.

And go to Moscow.

Filled to the brim with pickle, misadventure and tears, Galina Petrovna’s Three-Legged Dog Story will leave you smiling at every page.

Heart of Darkness

Few literary works have achieved the sustained, unflinching pessimism of Heart of Darkness, Joseph Conrad's haunting tale of one man's journey into the African subcontinent. One new novel that can justly make that claim is The Catastrophist, by the talented Irish writer/activist Ronan Bennett. Here, Conrad's classic tale is transmogrified by a century of irony, Westernization, and a tip of the hat to Graham Greene and John le Carré. Benett's Marlow is James Gillespie, an Irish historian turned novelist who travels to the Congo in 1959. Set against the death throes of the age of imperialism, the new nation's violent struggle for independence from Belgium provides ample opportunity for Gillespie to explore the dark territory of political and emotional engagement.

Gillespie's Kurtz, the figure who draws him to the Congo and whose maddening attachment to the place both fascinates and repulses him, is Inès, a fiery Italian journalist, who pens fiercely pro-Congolese articles for a radical newspaper. Inès and Gillespie met in London at the house of Gillespie's publisher, and soon after, were heading to Ireland for a romantic getaway. Inès was smitten instantly ("I am already loving you" she whispers as they first make love), but Gillespie, considerably less headstrong, was slower to recognize his feelings. Following Inès to Léopoldville (Kinshasa), the Congolese capital, was his emotional plunge, his gesture toward commitment. But soon after his arrival, Gillespie realizes that he has been displaced from Inès's attentions by her devotion to Patrice Lumumba, the charismatic Congolese independence leader. Gillespie, on the other hand, is incapable of viewing the disorganized independence movement as anything more than an unfortunate farce; nor does he sympathize with the Belgians in Léopoldville, who live in cloistered luxury, walled off from the cité indigène -- "where the blacks live" -- by well-patrolled walls and their own willful obliviousness.