THE PENAL COLONY - SECOND HAND

Captain Corelli’s Mandolin is set in the early days of the second world war, before Benito Mussolini invaded Greece. Dr Iannis practices medicine on the island of Cephalonia, accompanied by his daughter, Pelagia, to whom he imparts much of his healing art. Even when the Italians do invade, life isn’t so bad—at first anyway. The officer in command of the Italian garrison is the cultured Captain Antonio Corelli, who responds to a Nazi greeting of “Heil Hitler” with his own “Heil Puccini”, and whose most precious possession is his mandolin. It isn't long before Corelli and Pelagia are involved in a heated affair--despite her engagement to a young fisherman, Mandras, who has gone off to join Greek partisans. Love is complicated enough in wartime, even when the lovers are on the same side. And for Corelli and Pelagia, it becomes increasingly difficult to negotiate the minefield of allegiances, both personal and political, as all around them atrocities mount, former friends become enemies and the ugliness of war infects everyone it touches.

British author Louis de Bernières is well known for his forays into magical realism in such novels as The War of Don Emmanuel's Nether Parts, Señor Vivo and the Coca Lord and The Troublesome Offspring of Cardinal Guzman. Here he keeps it to a minimum, though certainly the secondary characters with whom he populates his island—the drunken priest, the strongman, the fisherman who swims with dolphins—would be at home in any of his wildly imaginative Latin American fictions. Instead, de Bernières seems interested in dissecting the nature of history as he tells his ever-darkening tale from many different perspectives. Captain Corelli’s Mandolin works on many levels, as a love story, a war story and a deconstruction of just what determines the facts that make it into the history books.

Longlisted for the Booker Prize, a mesmerizing new novel from the award-winning author of Old God's Time

A first-person narrative of Lilly Bere’s life, On Canaan’s Side opens as the eighty-five-year-old Irish émigré mourns the loss of her grandson, Bill. Lilly, the daughter of a Dublin policeman, revisits her eventful past, going back to the moment she was forced to flee Ireland at the end of the First World War. She continues her tale in America, where—far from her family—she first tastes the sweetness of love and the bitterness of betrayal.

Spanning nearly seven decades, Sebastian Barry’s extraordinary fifth novel explores memory, war, family ties, love, and loss, distilling the complexity and beauty of life into his haunting prose.

A mesmerizing literary debut novel of doubt, faith, and perseverance in the aftermath of a family tragedy—for fans of Me Before You, Little Bee, and Tell the Wolves I’m Home.
 
The Bradleys see the world as a place where miracles are possible, and where nothing is more important than family. This is their story.
 
It is the story of Ian Bradley—husband, father, math teacher, and Mormon bishop—and his unshakeable belief that everything will turn out all right if he can only endure to the end, like the pioneers did. It is the story of his wife, Claire, her lonely wait for a sign from God, and her desperate need for life to pause while she comes to terms with tragedy.
 
And it is the story of their children: sixteen-year-old Zippy, experiencing the throes of first love; cynical fourteen-year-old Al, who would rather play soccer than read the Book of Mormon; and seven-year-old Jacob, whose faith is bigger than a mustard seed—probably bigger than a toffee candy, he thinks—and which he’s planning to use to mend his broken family with a miracle.
 
Intensely moving, unexpectedly funny, and deeply observed, A Song for Issy Bradley explores the outer reaches of doubt and faith, and of a family trying to figure out how to carry on when the innermost workings of their world have broken apart.