THE PENAL COLONY - SECOND HAND

Lady Georgiana Rannoch, thirty-fifth in line for the British throne, knows how to play the part of an almost royal—but now she’s off to Hollywood, where she must reprise her role as sleuth or risk starring in an all-too-convincing death scene…
 
My mother, the glamorous and much-married actress, is hearing wedding bells once again—which is why she must hop across the pond for a quickie divorce in Reno. To offer my moral support, and since all expenses are paid by her new hubby-to-be, Max, I agree to make the voyage with her.
 
Crossing the Atlantic, with adventure in the air and wealthy men aboard, Mother all but forgets about Max and matrimony—especially when movie mogul Cy Goldman insists on casting her in his next picture.
 
Meanwhile, I find myself caught up in the secret investigation of a suspected jewel thief. Lucky for me, the lead investigator happens to be my dashing beau, Darcy!
 
Mother’s movie and Darcy’s larceny lead everyone to Cy’s Hollywood home, where the likes of Charlie Chaplin are hanging about and there’s enough romantic intrigue to fill a double feature. But we hardly get a chance to work out the sleeping arrangements before Cy turns up dead—as if there wasn’t enough drama already…

From the Booker Prize-winning John Banville comes a playful, multilayered novel of nostalgia, life and death, and quantum theory.

A man with a borrowed name steps from a flashy red sports car―also borrowed―onto the estate of his youth. But all is not as it seems. There is a new family living in the drafty old house: the Godleys, descendants of the late, world-famous scientist Adam Godley, whose theory of existence threw the universe into chaos. And this mystery man, who has just completed a prison sentence, feels as if time has stopped, or was torn, or was opened in new and strange ways. He must now vie with the idiosyncratic Godley family, with their harried housekeeper who becomes his landlady, with the recently commissioned biographer of Godley Sr., and with a wealthy and b...

In the summer of 1938, Layla Beck’s father, a United States senator, cuts off her allowance and demands that she find employment on the Federal Writers’ Project, a New Deal jobs program. Within days, Layla finds herself far from her accustomed social whirl, assigned to cover the history of the remote mill town of Macedonia, West Virginia, and destined, in her opinion, to go completely mad with boredom. But once she secures a room in the home of the unconventional Romeyn family, she is drawn into their complex world and soon discovers that the truth of the town is entangled in the thorny past of the Romeyn dynasty.

At the Romeyn house, twelve-year-old Willa is desperate to learn everything in her quest to acquire her favorite virtues of ferocity and devotion—a search that leads her into a thicket of mysteries, including the questionable business that occupies her charismatic father and the reason her adored aunt Jottie remains unmarried. Layla’s arrival strikes a match to the family veneer, bringing to light buried secrets that will tell a new tale about the Romeyns. As Willa peels back the layers of her family’s past, and Layla delves deeper into town legend, everyone involved is transformed—and their personal histories completely rewritten.

Argen­tine author Marce­lo Bir­ma­jer uses his recur­ring char­ac­ter, Javier Mosan, to present a com­pli­cat­ed polit­i­cal tale with roots in his country’s trou­bled past. Mosan, a jour­nal­ist who does his best to avoid writ­ing sto­ries, spends a great deal of time indulging in sex­u­al fan­ta­sy. When his edi­tor asks him to inter­view Elias Traúm, an Argen­tinean who now lives in Israel, he thinks that it is just anoth­er rou­tine assign­ment. Traúm and two dead friends were known as the  “three mus­ke­teers” when they fought in the left-wing Per­o­nist guer­ril­la group, the Mon­toneros. Javier goes to the air­port to meet Traúm and ends up get­ting a severe beat­ing. Traúm is kid­napped. He is lat­er dumped by the side of the road and, Javier, relieved to learn that they both sur­vived, finds him­self drawn to the account of Traúm’s past despite orders from his edi­tor to drop the sto­ry. Read­ers who enjoyed Nathan Englander’s The Min­istry of Spe­cial Cas­es will find this com­pelling, too. It pro­vides insight into the world of Argentina’s Jew­ish com­mu­ni­ty as well as a top-notch con­spir­a­cy plot.