THE PENAL COLONY - SECOND HAND

Argen­tine author Marce­lo Bir­ma­jer uses his recur­ring char­ac­ter, Javier Mosan, to present a com­pli­cat­ed polit­i­cal tale with roots in his country’s trou­bled past. Mosan, a jour­nal­ist who does his best to avoid writ­ing sto­ries, spends a great deal of time indulging in sex­u­al fan­ta­sy. When his edi­tor asks him to inter­view Elias Traúm, an Argen­tinean who now lives in Israel, he thinks that it is just anoth­er rou­tine assign­ment. Traúm and two dead friends were known as the  “three mus­ke­teers” when they fought in the left-wing Per­o­nist guer­ril­la group, the Mon­toneros. Javier goes to the air­port to meet Traúm and ends up get­ting a severe beat­ing. Traúm is kid­napped. He is lat­er dumped by the side of the road and, Javier, relieved to learn that they both sur­vived, finds him­self drawn to the account of Traúm’s past despite orders from his edi­tor to drop the sto­ry. Read­ers who enjoyed Nathan Englander’s The Min­istry of Spe­cial Cas­es will find this com­pelling, too. It pro­vides insight into the world of Argentina’s Jew­ish com­mu­ni­ty as well as a top-notch con­spir­a­cy plot.

WINNER INTERNATIONAL IMPAC DUBLIN LITERARY AWARDOn the morning after harvest, the inhabitants of a remote English village awaken looking forward to a hard-earned day of rest and feasting at their landowner's table. But the sky is marred by two conspicuous columns of smoke, replacing pleasurable anticipation with alarm and suspicion.One smoke column is the result of an overnight fire that has damaged the master's outbuildings. The second column rises from the wooded edge of the village, sent up by newcomers to announce their presence. In the minds of the wary villagers a mere coincidence of events appears to be unlikely, with violent confrontation looming as the unavoidable outcome. Meanwhile, another newcomer has recently been spotted taking careful notes and making drawings of the land. It is his presence more than any other that will threaten the village's entire way of life.In effortless and tender prose, Jim Crace details the unraveling of a pastoral idyll in the wake of economic progress. His tale is timeless and unsettling, framed by a beautifully evoked world that will linger in your memory long after you finish reading.WINNER INTERNATIONAL IMPAC DUBLIN LITERARY AWARDOn the morning after harvest, the inhabitants of a remote English village awaken looking forward to a hard-earned day of rest and feasting at their landowner's table. But the sky is marred by two conspicuous columns of smoke, replacing pleasurable anticipation with alarm and suspicion.One smoke column is the result of an overnight fire that has damaged the master's outbuildings. The second column rises from the wooded edge of the village, sent up by newcomers to announce their presence. In the minds of the wary villagers a mere coincidence of events appears to be unlikely, with violent confrontation looming as the unavoidable outcome. Meanwhile, another newcomer has recently been spotted taking careful notes and making drawings of the land. It is his presence more than any other that will threaten the village's entire way of life.In effortless and tender prose, Jim Crace details the unraveling of a pastoral idyll in the wake of economic progress. His tale is timeless and unsettling, framed by a beautifully evoked world that will linger in your memory long after you finish reading.

There are no coincidences. Aurelie Bredin, a beautiful Parisian restaurateur, is sure of this truth. On a gloomy Friday in November, when Aurelie is feeling depressed after a breakup, she discovers a novel entitled 'The Smiles of Women' in a quaint bookshop on the Ile-St.-Louis. Astonishingly, her restaurant and she herself are featured in its pages. After reading the entire book in one night, Aurelie wishes more than anything to meet the author of the novel because she is convinced that, without even realising it, he has saved her life. However, her wish proves to be a difficult, almost impossible, endeavour."

One day an illiterate Algerian immigrant in Lyon gave his son, Azouz Begag, a book, saying, “This book is a bird.” How Begag took flight on the wings of learning is one of the stories that unfolds in this captivating autobiographical novel of growing up amid the multicultural complexities of contemporary France. 

Determined to leave behind the poverty of his shantytown life, Begag works to become a star pupil at the local primary school—earning the jealousy and rejection of his Arab playmates even as he contends with the anti-Arab racism of his French peers. Begag’s moving and often comical account of negotiating a path between the competing cultural spaces encountered during his childhood is a compelling tale of coming of age in a world of ethnic and racial tensions. A story for all ages, it is also very much of the moment, offering unique insights into the reweaving of the social fabric of France in response to growing ethnic diversity.