THE PENAL COLONY - SECOND HAND

Lady Georgiana Rannoch, thirty-fifth in line for the British throne, knows how to play the part of an almost royal—but now she’s off to Hollywood, where she must reprise her role as sleuth or risk starring in an all-too-convincing death scene…
 
My mother, the glamorous and much-married actress, is hearing wedding bells once again—which is why she must hop across the pond for a quickie divorce in Reno. To offer my moral support, and since all expenses are paid by her new hubby-to-be, Max, I agree to make the voyage with her.
 
Crossing the Atlantic, with adventure in the air and wealthy men aboard, Mother all but forgets about Max and matrimony—especially when movie mogul Cy Goldman insists on casting her in his next picture.
 
Meanwhile, I find myself caught up in the secret investigation of a suspected jewel thief. Lucky for me, the lead investigator happens to be my dashing beau, Darcy!
 
Mother’s movie and Darcy’s larceny lead everyone to Cy’s Hollywood home, where the likes of Charlie Chaplin are hanging about and there’s enough romantic intrigue to fill a double feature. But we hardly get a chance to work out the sleeping arrangements before Cy turns up dead—as if there wasn’t enough drama already…

From breathtaking stop-action animation to bittersweet modern fairy tales, filmmaker Tim Burton has become known for his unique visual brilliance – witty and macabre at once. Now he gives birth to a cast of gruesomely sympathetic children – misunderstood outcasts who struggle to find love and belonging in their cruel, cruel worlds. His lovingly lurid illustrations evoke both the sweetness and the tragedy of these dark yet simple beings – hopeful, hapless heroes who appeal to the ugly outsider in all of us, and let us laugh at a world we have long left behind (mostly anyway).

A mesmerizing literary debut novel of doubt, faith, and perseverance in the aftermath of a family tragedy—for fans of Me Before You, Little Bee, and Tell the Wolves I’m Home.
 
The Bradleys see the world as a place where miracles are possible, and where nothing is more important than family. This is their story.
 
It is the story of Ian Bradley—husband, father, math teacher, and Mormon bishop—and his unshakeable belief that everything will turn out all right if he can only endure to the end, like the pioneers did. It is the story of his wife, Claire, her lonely wait for a sign from God, and her desperate need for life to pause while she comes to terms with tragedy.
 
And it is the story of their children: sixteen-year-old Zippy, experiencing the throes of first love; cynical fourteen-year-old Al, who would rather play soccer than read the Book of Mormon; and seven-year-old Jacob, whose faith is bigger than a mustard seed—probably bigger than a toffee candy, he thinks—and which he’s planning to use to mend his broken family with a miracle.
 
Intensely moving, unexpectedly funny, and deeply observed, A Song for Issy Bradley explores the outer reaches of doubt and faith, and of a family trying to figure out how to carry on when the innermost workings of their world have broken apart.

Over the course of one summer that begins with a shocking tragedy, three generations of the Adler family grapple with heartbreak, romance, and the weight of family secrets.

Every summer, Esther and Joseph Adler rent their house out to vacationers escaping to “America’s Playground” and move into the small apartment above their bakery. This is the apartment where they raised their two daughters, Fannie and Florence. Now Florence has returned from college, determined to spend the summer training to swim the English Channel, and Fannie, pregnant again after recently losing a baby, is on bedrest for the duration of her pregnancy. After Joseph insists they take in a mysterious young woman whom he recently helped emigrate from Nazi Germany, the apartment is bursting at the seams.

When tragedy strikes, Esther makes the shocking decision to hide the truth—at least until Fannie’s baby is born—and pulls the family into an elaborate web of secret-keeping and lies, bringing long-buried tensions to the surface that reveal how quickly the act of protecting those we love can turn into betrayal after tragedy.