THE PENAL COLONY - SECOND HAND

Anita lives in Karachi's biggest slum. Her mother is a maalish wali, paid to massage the tired bones of rich women. But Anita's life will change forever when she meets her elderly neighbour, a man whose shelves of books promise an escape to a different world.

On the other side of Karachi lives Monty, whose father owns half the city and expects great things of him. But when a beautiful and rebellious girl joins his school, Monty will find his life going in a very different direction.

Sunny's father left India and went to England to give his son the opportunities he never had. Yet Sunny doesn't fit in anywhere. It's only when his charismatic cousin comes back into his life that he realises his life could hold more possibilities than he ever imagined.

These three lives will cross in the desert, a place where life and death walk hand in hand, and where their closely guarded secrets will force them to make a terrible choice.

From the Booker Prize-winning John Banville comes a playful, multilayered novel of nostalgia, life and death, and quantum theory.

A man with a borrowed name steps from a flashy red sports car―also borrowed―onto the estate of his youth. But all is not as it seems. There is a new family living in the drafty old house: the Godleys, descendants of the late, world-famous scientist Adam Godley, whose theory of existence threw the universe into chaos. And this mystery man, who has just completed a prison sentence, feels as if time has stopped, or was torn, or was opened in new and strange ways. He must now vie with the idiosyncratic Godley family, with their harried housekeeper who becomes his landlady, with the recently commissioned biographer of Godley Sr., and with a wealthy and b...

The Feast of Love is a sumptuous work of fiction about the thing that most distracts and delights us. In a re-imagined A Midsummer Night's Dream, men and women speak of and desire their ideal mates; parents seek out their lost children; adult children try to come to terms with their own parents and, in some cases, find new ones.

In vignettes both comic and sexy, the owner of a coffee shop recalls the day his first wife seemed to achieve a moment of simple perfection, while she remembers the women's softball game during which she was stricken by the beauty of the shortstop. A young couple spends hours at the coffee shop fueling the idea of their fierce love. A professor of philosophy, stopping by for a cup of coffee, makes a valiant attempt to explain what he knows to be the inexplicable workings of the human heart Their voices resonate with each other—disparate people joined by the meanderings of love—and come together in a tapestry that depicts the most irresistible arena of life.

Heart of Darkness

Few literary works have achieved the sustained, unflinching pessimism of Heart of Darkness, Joseph Conrad's haunting tale of one man's journey into the African subcontinent. One new novel that can justly make that claim is The Catastrophist, by the talented Irish writer/activist Ronan Bennett. Here, Conrad's classic tale is transmogrified by a century of irony, Westernization, and a tip of the hat to Graham Greene and John le Carré. Benett's Marlow is James Gillespie, an Irish historian turned novelist who travels to the Congo in 1959. Set against the death throes of the age of imperialism, the new nation's violent struggle for independence from Belgium provides ample opportunity for Gillespie to explore the dark territory of political and emotional engagement.

Gillespie's Kurtz, the figure who draws him to the Congo and whose maddening attachment to the place both fascinates and repulses him, is Inès, a fiery Italian journalist, who pens fiercely pro-Congolese articles for a radical newspaper. Inès and Gillespie met in London at the house of Gillespie's publisher, and soon after, were heading to Ireland for a romantic getaway. Inès was smitten instantly ("I am already loving you" she whispers as they first make love), but Gillespie, considerably less headstrong, was slower to recognize his feelings. Following Inès to Léopoldville (Kinshasa), the Congolese capital, was his emotional plunge, his gesture toward commitment. But soon after his arrival, Gillespie realizes that he has been displaced from Inès's attentions by her devotion to Patrice Lumumba, the charismatic Congolese independence leader. Gillespie, on the other hand, is incapable of viewing the disorganized independence movement as anything more than an unfortunate farce; nor does he sympathize with the Belgians in Léopoldville, who live in cloistered luxury, walled off from the cité indigène -- "where the blacks live" -- by well-patrolled walls and their own willful obliviousness.