THE PENAL COLONY - SECOND HAND

Brunonia Barry, the New York Times bestselling author of The Lace Reader, offers an emotionally compelling novel about finding your true place in the world.

Zee Finch has come a long way from a motherless childhood spent stealing boats—a talent that earned her the nickname Trouble. She's now a respected psychotherapist working with the world-famous Dr. Liz Mattei. She's also about to marry one of Boston's most eligible bachelors. But the suicide of Zee's patient Lilly Braedon throws Zee into emotional chaos and takes her back to places she thought she'd left behind.

What starts as a brief visit home to Salem after Lilly's funeral becomes the beginning of a larger journey for Zee. Her father, Finch, long ago diagnosed with Parkinson's disease, has been hiding how sick he really is. His longtime companion, Melville, has moved out, and it now falls to Zee to help her father through this difficult time. Their relationship, marked by half-truths and the untimely death of her mother, is strained and awkward.

Overwhelmed by her new role, and uncertain about her future, Zee destroys the existing map of her life and begins a new journey, one that will take her not only into her future but into her past as well. Like the sailors of old Salem who navigated by looking at the stars, Zee has to learn to find her way through uncharted waters to the place she will ultimately call home.

The third Erast Fandorin mystery from Boris Akunin, shortlisted for the CWA Gold Dagger. 'Akunin is an outstanding novelist...Fandorin is a beautifully drawn character who more than lives up to comparisons with Hercule Poirot or Sherlock Holmes...The characters are delightful and you can imagine them in a Woody Allen version of an Agatha Christie novel...Akunin's work is gloriously tongue-in-cheek but seriously edge-of-your-seat at the same time' Daily Express On 15th March 1878 Lord Littleby, an English eccentric and collector, is found murdered in his Paris house together with nine members of his staff. A gold whale in the victim's hand leads Erast Fandorin to board the Leviathan, the world's largest steamship, as the murderer is one of the 142 first class passengers. Commissioner Gauche of the French police has narrowed down the suspects to ten, and they are forced to eat together at every meal time in the ship's Windsor Suite until 'the Crime of the Century' is solved. But is the murderer really at the table, and can Erast Fandorin discover his or her identity before Gauche? As more passengers are murdered and the Leviathan heads towards Calcutta, Fandorin needs all his investigative skills to find the truth.

A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality―the black Chinese restaurant.

Born in the "agrarian ghetto" of Dickens―on the southern outskirts of Los Angeles―the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral.

Fueled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident―the last surviving Little Rascal, Hominy Jenkins―he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.

New York: A city that inspires. A city that draws people in. A city where everyone is watching, waiting to see what will happen next.

1967. Robert Mapplethorpe knows he is an artist. From his childhood home in Queens he yearns for the heat and excitement of the city, the press of other people's bodies. He wants to be watched, he wants to be known.

1891. Walt Whitman has already found fame, and has settled into his own sort of old age. Still childlike, still passionate, he travels with his friend and biographer Bucke to the city he has always adored, the scene of his greatest triumphs and rejections.

1922. Robert Moses is a man with a vision. Standing on the edge of Long Island he knows what it could become. Walking down a street in Brooklyn he sees its future. He is the man who will build modern New York.

2013. Edmund White is back in New York. It's the city of his youth, of his life and loves. He remembers days of lazy pleasure, nights of ecstasy and euphoria. But years have gone by since then.

Everyone is Watching is a novel about the men and women who have defined New York. Through the lives and perspectives of these great creators, artists and thinkers, and through other iconic works of art that capture its essence, New York itself solidifies. Complex, rich, sordid, tantalizing, it is constantly changing and evolving. Both intimate and epic in its sweep, Everyone is Watching is a love letter to New York and its people - past, present and future.

"Bradbury’s writing is beautiful: unusual, intoxicating and bold. I may have been sceptical at the start, but I finished Everyone Is Watching on a high." —The Guardian