THE PENAL COLONY - SECOND HAND

For readers of Gillian Flynn and Donna Tartt, a dark, propulsive and addictive debut thriller, splashed with all the glitz and glitter of New York City.

They go through both bottles of champagne right there on the High Line, with nothing but the stars over them... They drink and Lavinia tells Louise about all the places they will go together, when they finish their stories, when they are both great writers-to Paris and to Rome and to Trieste...

Lavinia will never go. She is going to die soon.

Louise has nothing. Lavinia has everything. After a chance encounter, the two spiral into an intimate, intense, and possibly toxic friendship. A Talented Mr. Ripley for the digital age, this seductive story takes a classic tale of obsession and makes it irresistibly new.

Lady Georgiana Rannoch, thirty-fifth in line for the British throne, knows how to play the part of an almost royal—but now she’s off to Hollywood, where she must reprise her role as sleuth or risk starring in an all-too-convincing death scene…
 
My mother, the glamorous and much-married actress, is hearing wedding bells once again—which is why she must hop across the pond for a quickie divorce in Reno. To offer my moral support, and since all expenses are paid by her new hubby-to-be, Max, I agree to make the voyage with her.
 
Crossing the Atlantic, with adventure in the air and wealthy men aboard, Mother all but forgets about Max and matrimony—especially when movie mogul Cy Goldman insists on casting her in his next picture.
 
Meanwhile, I find myself caught up in the secret investigation of a suspected jewel thief. Lucky for me, the lead investigator happens to be my dashing beau, Darcy!
 
Mother’s movie and Darcy’s larceny lead everyone to Cy’s Hollywood home, where the likes of Charlie Chaplin are hanging about and there’s enough romantic intrigue to fill a double feature. But we hardly get a chance to work out the sleeping arrangements before Cy turns up dead—as if there wasn’t enough drama already…

John Collier's edgy, sardonic tales are works of rare wit, curious insight, and scary implication. They stand out as one of the pinnacles in the critically neglected but perennially popular tradition of weird writing that includes E.T.A. Hoffmann and Charles Dickens as well as more recent masters like Jorge Luis Borges and Roald Dahl. With a cast of characters that ranges from man-eating flora to disgruntled devils and suburban salarymen (not that it's always easy to tell one from another), Collier's dazzling stories explore the implacable logic of lunacy, revealing a surreal landscape whose unstable surface is depth-charged with surprise.