THE BOOK THIEF - SECOND HAND

Montalbano learned how hard it was to put on a wetsuit while in a dinghy speeding over a sea that wasn't exactly calm. Mimi, at the helm, looked tense and worried. ""Getting seasick?" the inspector asked him at one point. " ""No. Just sick of myself." " ""Why?" " ""Because every now and then I realize what a stupid shit I am to go along with some of your brilliant ideas." " When an angry octogenarian holds a terrified and lovelorn secretary at gunpoint, Inspector Montalbano is reluctantly drawn into the case. The secretary's boss, a financial advisor, has vanished along with several billion lire entrusted to him by the good citizens of Vigata. Also missing is the advisor's young colleague, whose uncle just happens to be building a house on the site of Inspector Montalbano's very favourite olive tree . . . Ably abetted by his loyal and eccentric team, Montalbano, the food-loving, commitment-phobic inspector, returns for another delicious investigation served up in vintage Camiller

A gripping contemporary novel that examines the American dream through the lens of two families living side by side in an idyllic neighborhood, and the one summer that changes their lives irrevocably, from the New York Times bestselling author of Z and A Well-Behaved Woman.

In Oak Knoll, a verdant, tight-knit North Carolina neighborhood, professor of forestry and ecology Valerie Alston-Holt is raising her bright and talented biracial son. Xavier is headed to college in the fall, and after years of single parenting, Valerie is facing the prospect of an empty nest. All is well until the Whitmans move in next door—an apparently traditional family with new money, ambition, and a secretly troubled teenaged daughter.

Thanks to his thriving local business, Brad Whitman is something of a celebrity around town, and he's made a small fortune on his customer service and charm, while his wife, Julia, escaped her trailer park upbringing for the security of marriage and homemaking. Their new house is more than she ever imagined for herself, and who wouldn't want to live in Oak Knoll?

But with little in common except a property line, these two very different families quickly find themselves at odds: first, over an historic oak tree in Valerie's yard, and soon after, the blossoming romance between their two teenagers. Told in multiple points of view, A Good Neighborhood asks big questions about life in America today — what does it mean to be a good neighbor? How do we live alongside each other when we don't see eye to eye? — as it explores the effects of class, race, and heartrending star-crossed love in a story that’s as provocative as it is powerful.

A group of elegant monster dogs in top hats, tails, and bustle skirts become instant celebrities when they come to New York in 2008. Refugees from a town which had been completely isolated for 100 years, the dogs retain the 19th century Germanic culture of the humans who created them. As the dogs struggle to adapt to their new surroundings, a young woman befriends them...and discovers that a strange, incurable illness threatens them with extinction.

"An effective fantasy in the tradition of Robert Louis Stevenson and Mary Shelley. It is loaded with metaphor and reflection -- on nature and culture, on science, on the place of artists in society." -- The Wall Street Journal

"One of the most unique and unusual works of fiction to come along in many years....Like Frankenstein before it, Monster Dogs is a fabulous fable well told." -- Cathy Hainer, USA Today

Heart of Darkness

Few literary works have achieved the sustained, unflinching pessimism of Heart of Darkness, Joseph Conrad's haunting tale of one man's journey into the African subcontinent. One new novel that can justly make that claim is The Catastrophist, by the talented Irish writer/activist Ronan Bennett. Here, Conrad's classic tale is transmogrified by a century of irony, Westernization, and a tip of the hat to Graham Greene and John le Carré. Benett's Marlow is James Gillespie, an Irish historian turned novelist who travels to the Congo in 1959. Set against the death throes of the age of imperialism, the new nation's violent struggle for independence from Belgium provides ample opportunity for Gillespie to explore the dark territory of political and emotional engagement.

Gillespie's Kurtz, the figure who draws him to the Congo and whose maddening attachment to the place both fascinates and repulses him, is Inès, a fiery Italian journalist, who pens fiercely pro-Congolese articles for a radical newspaper. Inès and Gillespie met in London at the house of Gillespie's publisher, and soon after, were heading to Ireland for a romantic getaway. Inès was smitten instantly ("I am already loving you" she whispers as they first make love), but Gillespie, considerably less headstrong, was slower to recognize his feelings. Following Inès to Léopoldville (Kinshasa), the Congolese capital, was his emotional plunge, his gesture toward commitment. But soon after his arrival, Gillespie realizes that he has been displaced from Inès's attentions by her devotion to Patrice Lumumba, the charismatic Congolese independence leader. Gillespie, on the other hand, is incapable of viewing the disorganized independence movement as anything more than an unfortunate farce; nor does he sympathize with the Belgians in Léopoldville, who live in cloistered luxury, walled off from the cité indigène -- "where the blacks live" -- by well-patrolled walls and their own willful obliviousness.