THE BOOK THIEF - SECOND HAND

The highly praised author of Hideous Kinky, returns with a searing and sensuous tale young love set amid the heat and beauty of a Tuscan summer The Independent calls Esther Freud “the best writer on childhood we have.” In Love Falls this brilliant novelist proves her power once again with an utterly charming and irresistible tale of adolescent love and self-discovery set in a foreign land. When 17-year-old Lara accepts her father’s invitation to accompany him to Tuscany for the summer, she’s excited and trepidatious. But, her fears prove groundless, for the villa’s closest neighbors are the contagiously adventurous Willoughbys, the teenaged brood of a wealthy British lord. Caught up in their torrential good humor—and snared particularly by Kip Willoughby’s dark, flirtatious eyes—Lara sets off on a summer adventure full of danger, first love, and untold consequences that will change her life.

A work of dazzling imagination that takes as its theme the price the true scientist or artist must pay for his calling in terms of his own humanity, his ability to live fully.

Captain Corelli’s Mandolin is set in the early days of the second world war, before Benito Mussolini invaded Greece. Dr Iannis practices medicine on the island of Cephalonia, accompanied by his daughter, Pelagia, to whom he imparts much of his healing art. Even when the Italians do invade, life isn’t so bad—at first anyway. The officer in command of the Italian garrison is the cultured Captain Antonio Corelli, who responds to a Nazi greeting of “Heil Hitler” with his own “Heil Puccini”, and whose most precious possession is his mandolin. It isn't long before Corelli and Pelagia are involved in a heated affair--despite her engagement to a young fisherman, Mandras, who has gone off to join Greek partisans. Love is complicated enough in wartime, even when the lovers are on the same side. And for Corelli and Pelagia, it becomes increasingly difficult to negotiate the minefield of allegiances, both personal and political, as all around them atrocities mount, former friends become enemies and the ugliness of war infects everyone it touches.

British author Louis de Bernières is well known for his forays into magical realism in such novels as The War of Don Emmanuel's Nether Parts, Señor Vivo and the Coca Lord and The Troublesome Offspring of Cardinal Guzman. Here he keeps it to a minimum, though certainly the secondary characters with whom he populates his island—the drunken priest, the strongman, the fisherman who swims with dolphins—would be at home in any of his wildly imaginative Latin American fictions. Instead, de Bernières seems interested in dissecting the nature of history as he tells his ever-darkening tale from many different perspectives. Captain Corelli’s Mandolin works on many levels, as a love story, a war story and a deconstruction of just what determines the facts that make it into the history books.