THE BOOK THIEF - SECOND HAND

'The screaming ambulance slows down a fraction as it hits the junction of parkway and Camden High Street. It feels as if my bladder is in my head, and any minute now it will explode, and blast piss and blood at a million-foot-pounds pressure out of my coke-scarred nostrils.' Noah Arkwright has experienced too much. A filmmaker and now a dry alcoholic, he's lived life to the full - sex, drugs and rock 'n' roll his relentless backdrop - but now the stakes are even higher. In his struggle to survive, Noah's cancer forces him to evaluate his chequered past life, and as a picture builds of a brave and incredibly foolish man, gradually it becomes clear that he's a modern-day hero of truly epic proportions.

As the Second World War draws to a close, Intelligence Officer Gus Clifton surprises his sisters at their London home. But an even greater shock is the woman he brings with him, Krista - the German wife whom he has married secretly in Berlin.

Krista is clearly devastated by her experiences at the hands of the British and their allies - all but broken by horrors she cannot share. But Gus's sisters can only see the enemy their brother has brought under their roof. And their friend Nella, Gus's beautiful, loyal fiancée, cannot understand what made Gus change his mind about their marriage. What hold does Krista have over their honourable and upright Gus? And how can the three women get her out of their home, their future, their England?

Haunted by passion, betrayal, and misunderstanding these damaged souls are propelled towards a spectacular resolution. Krista has lost her country, her people, her identity, and the ties that bind her to Gus hold more tightly than the sisters can ever understand...

Heart of Darkness

Few literary works have achieved the sustained, unflinching pessimism of Heart of Darkness, Joseph Conrad's haunting tale of one man's journey into the African subcontinent. One new novel that can justly make that claim is The Catastrophist, by the talented Irish writer/activist Ronan Bennett. Here, Conrad's classic tale is transmogrified by a century of irony, Westernization, and a tip of the hat to Graham Greene and John le Carré. Benett's Marlow is James Gillespie, an Irish historian turned novelist who travels to the Congo in 1959. Set against the death throes of the age of imperialism, the new nation's violent struggle for independence from Belgium provides ample opportunity for Gillespie to explore the dark territory of political and emotional engagement.

Gillespie's Kurtz, the figure who draws him to the Congo and whose maddening attachment to the place both fascinates and repulses him, is Inès, a fiery Italian journalist, who pens fiercely pro-Congolese articles for a radical newspaper. Inès and Gillespie met in London at the house of Gillespie's publisher, and soon after, were heading to Ireland for a romantic getaway. Inès was smitten instantly ("I am already loving you" she whispers as they first make love), but Gillespie, considerably less headstrong, was slower to recognize his feelings. Following Inès to Léopoldville (Kinshasa), the Congolese capital, was his emotional plunge, his gesture toward commitment. But soon after his arrival, Gillespie realizes that he has been displaced from Inès's attentions by her devotion to Patrice Lumumba, the charismatic Congolese independence leader. Gillespie, on the other hand, is incapable of viewing the disorganized independence movement as anything more than an unfortunate farce; nor does he sympathize with the Belgians in Léopoldville, who live in cloistered luxury, walled off from the cité indigène -- "where the blacks live" -- by well-patrolled walls and their own willful obliviousness.