THE BOOK THIEF - SECOND HAND

The third Erast Fandorin mystery from Boris Akunin, shortlisted for the CWA Gold Dagger. 'Akunin is an outstanding novelist...Fandorin is a beautifully drawn character who more than lives up to comparisons with Hercule Poirot or Sherlock Holmes...The characters are delightful and you can imagine them in a Woody Allen version of an Agatha Christie novel...Akunin's work is gloriously tongue-in-cheek but seriously edge-of-your-seat at the same time' Daily Express On 15th March 1878 Lord Littleby, an English eccentric and collector, is found murdered in his Paris house together with nine members of his staff. A gold whale in the victim's hand leads Erast Fandorin to board the Leviathan, the world's largest steamship, as the murderer is one of the 142 first class passengers. Commissioner Gauche of the French police has narrowed down the suspects to ten, and they are forced to eat together at every meal time in the ship's Windsor Suite until 'the Crime of the Century' is solved. But is the murderer really at the table, and can Erast Fandorin discover his or her identity before Gauche? As more passengers are murdered and the Leviathan heads towards Calcutta, Fandorin needs all his investigative skills to find the truth.

Captain Corelli’s Mandolin is set in the early days of the second world war, before Benito Mussolini invaded Greece. Dr Iannis practices medicine on the island of Cephalonia, accompanied by his daughter, Pelagia, to whom he imparts much of his healing art. Even when the Italians do invade, life isn’t so bad—at first anyway. The officer in command of the Italian garrison is the cultured Captain Antonio Corelli, who responds to a Nazi greeting of “Heil Hitler” with his own “Heil Puccini”, and whose most precious possession is his mandolin. It isn't long before Corelli and Pelagia are involved in a heated affair--despite her engagement to a young fisherman, Mandras, who has gone off to join Greek partisans. Love is complicated enough in wartime, even when the lovers are on the same side. And for Corelli and Pelagia, it becomes increasingly difficult to negotiate the minefield of allegiances, both personal and political, as all around them atrocities mount, former friends become enemies and the ugliness of war infects everyone it touches.

British author Louis de Bernières is well known for his forays into magical realism in such novels as The War of Don Emmanuel's Nether Parts, Señor Vivo and the Coca Lord and The Troublesome Offspring of Cardinal Guzman. Here he keeps it to a minimum, though certainly the secondary characters with whom he populates his island—the drunken priest, the strongman, the fisherman who swims with dolphins—would be at home in any of his wildly imaginative Latin American fictions. Instead, de Bernières seems interested in dissecting the nature of history as he tells his ever-darkening tale from many different perspectives. Captain Corelli’s Mandolin works on many levels, as a love story, a war story and a deconstruction of just what determines the facts that make it into the history books.