THE BOOK THIEF - SECOND HAND

The classic, award-winning novel, made famous by Steven Spielberg's film, tells of a young boy's struggle to survive World War II in China.

Jim is separated from his parents in a world at war. To survive, he must find a deep strength greater than all the events that surround him.

Shanghai, 1941 — a city aflame from the fateful torch of Pearl Harbor. In streets full of chaos and corpses, a young British boy searches in vain for his parents. Imprisoned in a Japanese concentration camp, he is witness to the fierce white flash of Nagasaki, as the bomb bellows the end of the war...and the dawn of a blighted world.

Ballard's enduring novel of war and deprivation, internment camps and death marches, and starvation and survival is an honest coming-of-age tale set in a world thrown utterly out of joint.

From breathtaking stop-action animation to bittersweet modern fairy tales, filmmaker Tim Burton has become known for his unique visual brilliance – witty and macabre at once. Now he gives birth to a cast of gruesomely sympathetic children – misunderstood outcasts who struggle to find love and belonging in their cruel, cruel worlds. His lovingly lurid illustrations evoke both the sweetness and the tragedy of these dark yet simple beings – hopeful, hapless heroes who appeal to the ugly outsider in all of us, and let us laugh at a world we have long left behind (mostly anyway).

From the acclaimed author of The Ash Garden —“an illuminating searchlight on the terra incognita where the personal and the political intersect” (Newsday) —an even more ambitious novel that follows a doctor from the trenches of the Great War into subsequent conflicts whose horrors would soon envelop the world.

The historical Norman Bethune—legendary in both his native Canada and China—was a visionary whose dedication touched millions, and as the narrator of this novel he springs to vivid life even as he approaches its end. Rebelling in childhood against his father’s religion, he finds a calling himself, saving lives on the battlefield, only after nearly losing his own in the trenches in France. In Republican Spain he fulfills his idealism, yet before long politics destroy a romance, compromise his achievement, and drive him to seek refuge and purpose in the vast expanse of China. Here, in the service of the man eventually known as Mao Zedong, Bethune contends with Nationalist and Japanese enemies and begins this account of failed loves, cherished beliefs, discoveries, and reversals for the only person who still makes a future seem the daughter he has never seen.
 
Storytelling at its best—passionate, wrenching, compelling—about a complex, contradictory man caught in the relentless sweep of history.

Captain Corelli’s Mandolin is set in the early days of the second world war, before Benito Mussolini invaded Greece. Dr Iannis practices medicine on the island of Cephalonia, accompanied by his daughter, Pelagia, to whom he imparts much of his healing art. Even when the Italians do invade, life isn’t so bad—at first anyway. The officer in command of the Italian garrison is the cultured Captain Antonio Corelli, who responds to a Nazi greeting of “Heil Hitler” with his own “Heil Puccini”, and whose most precious possession is his mandolin. It isn't long before Corelli and Pelagia are involved in a heated affair--despite her engagement to a young fisherman, Mandras, who has gone off to join Greek partisans. Love is complicated enough in wartime, even when the lovers are on the same side. And for Corelli and Pelagia, it becomes increasingly difficult to negotiate the minefield of allegiances, both personal and political, as all around them atrocities mount, former friends become enemies and the ugliness of war infects everyone it touches.

British author Louis de Bernières is well known for his forays into magical realism in such novels as The War of Don Emmanuel's Nether Parts, Señor Vivo and the Coca Lord and The Troublesome Offspring of Cardinal Guzman. Here he keeps it to a minimum, though certainly the secondary characters with whom he populates his island—the drunken priest, the strongman, the fisherman who swims with dolphins—would be at home in any of his wildly imaginative Latin American fictions. Instead, de Bernières seems interested in dissecting the nature of history as he tells his ever-darkening tale from many different perspectives. Captain Corelli’s Mandolin works on many levels, as a love story, a war story and a deconstruction of just what determines the facts that make it into the history books.