We Need New Names - second hand

As the Second World War draws to a close, Intelligence Officer Gus Clifton surprises his sisters at their London home. But an even greater shock is the woman he brings with him, Krista - the German wife whom he has married secretly in Berlin.

Krista is clearly devastated by her experiences at the hands of the British and their allies - all but broken by horrors she cannot share. But Gus's sisters can only see the enemy their brother has brought under their roof. And their friend Nella, Gus's beautiful, loyal fiancée, cannot understand what made Gus change his mind about their marriage. What hold does Krista have over their honourable and upright Gus? And how can the three women get her out of their home, their future, their England?

Haunted by passion, betrayal, and misunderstanding these damaged souls are propelled towards a spectacular resolution. Krista has lost her country, her people, her identity, and the ties that bind her to Gus hold more tightly than the sisters can ever understand...

It is 1961, and thirteen year old Katie is facing a summer full of conflict. First, instead of letting her find her own work for the season, Katie's father has arranged for two less than satisfactory baby-sitting jobs. Worse, Katie has been forcibly inducted into the 'loser' Girl Scout troop organised by her only friend Cynthia's controlling and clueless mother. A much anticipated visit to her former home in Texas and ex-best friend Cherylanne proves disappointing. And then comes an act of betrayal that leaves Katie questioning her views on friendship, on her ability not to take those she loves for granted, and most important, on herself.

Galicia, Austria-Hungary, 1913. In the castle of a frontier town, on the border between Europe and the East, the worldly, corrupt Count-Governor Wiladowski watches helplessly while a wave of assassinations sweeps the empire, and his province. When a member of his own family is murdered, the count gives broad police powers to his spymaster, Jakob a brilliant young Jew whose ruthless war on terror extends into every corner of the province and beyond, enlisting union organizers, financiers, aristocrats and their servants, and a young novelist and playwright, newly arrived in the Vienna of Franz Josef and Freud, hungry for literary success.

In the wake of new terrorist attacks, a mysterious preacher appears in the provincial capital--one of the so-called "wonder rabbis" from the shtetls of the East-trailing a band of fanatical disciples who proclaim him the messiah. Word of the charismatic leader spreads quickly from the Jewish quarter to the castle itself, and soon Tausk finds himself serving two the count and the richest man in the province, Moritz Rotenburg, who has a private interest in the wonder rabbi and whose only son has returned from university, burning for revolution, to gather disciples of his own.

Moving from underground meetings and makeshift synagogues to the bedrooms of country estates and the secret high councils of the ailing thousand-year-old Habsburg Empire, Michael André Bernstein's compelling first novel evokes a densely believable world on the edge of collapse, full of the haunting suggestiveness of a fable or nightmare, and the erotic, mystical, and apocalyptic passions of an age.

When Catherine Gehrig, a museum conservator in London, falls into grief after her lover’s sudden death, her boss gives her a special project. She will bring back to “life” a nineteenth-century mechanical bird. As she begins to piece together the automaton, Catherine also uncovers the diaries of Henry Brandling, who, more than a hundred years prior, had commissioned the bird for his very ill son. Catherine finds resonance and comfort in Henry’s story, but it is the mechanical creature itself, in its uncanny imitation of life, that will link these two people across a century. Through the clockwork bird, Henry and Catherine will confront the mysteries of creation, the power of human invention, and the body’s astonishing chemistry of love and feeling.