The Wise Woman's Tale - second hand

Calder White lives in the cold, clear waters of Lake Superior, the only brother in a family of murderous mermaids. To survive, Calder and his sisters prey on humans and absorb their positive energy. Usually, they select their victims at random, but this time around, the underwater clan chooses its target for a reason: revenge. They want to kill Jason Hancock, the man they blame for their mother's death.

It's going to take a concerted effort to lure the aquaphobic Hancock onto the water. Calder's job is to gain Hancock's trust by getting close to his family. Relying on his irresistible good looks and charm, Calder sets out to seduce Hancock's daughter Lily. Easy enough, but Calder screws everything up by falling in love - just as Lily starts to suspect there's more to the monster-in-the-lake legends than she ever imagined, and just as the mermaids threaten to take matters into their own hands, forcing Calder to choose between them and the girl he loves.

One thing's for sure: whatever Calder decides, the outcome won't be pretty.

Montalbano learned how hard it was to put on a wetsuit while in a dinghy speeding over a sea that wasn't exactly calm. Mimi, at the helm, looked tense and worried. ""Getting seasick?" the inspector asked him at one point. " ""No. Just sick of myself." " ""Why?" " ""Because every now and then I realize what a stupid shit I am to go along with some of your brilliant ideas." " When an angry octogenarian holds a terrified and lovelorn secretary at gunpoint, Inspector Montalbano is reluctantly drawn into the case. The secretary's boss, a financial advisor, has vanished along with several billion lire entrusted to him by the good citizens of Vigata. Also missing is the advisor's young colleague, whose uncle just happens to be building a house on the site of Inspector Montalbano's very favourite olive tree . . . Ably abetted by his loyal and eccentric team, Montalbano, the food-loving, commitment-phobic inspector, returns for another delicious investigation served up in vintage Camiller

"Terrific stories...Just about perfect" ( Entertainment Weekly ): Brownsville is the collection that established Oscar Casares as one of the leading voices in the literature of the modern Southwest.



At the country's edge, on the Mexican border, Brownsville, Texas, is a town like many others. It is a place where people work hard to create better lives for their children, where people bear grudges against their neighbors, where love blossoms only to fade, and where the only real certainty is that life holds surprises.



In his sparkling debut, Oscar Casares creates a cast of unforgettable characters confronting everyday possibilities and Diego, an eleven-year-old whose job at a fireworks stand teaches him a lesson in defiance; Bony, a young man whose discovery of a monkey's head on his lawn drives a wedge between him and his parents; Lola, whose stolen bowling ball offers an unlikely chance for change. The achievement of Brownsville lies in its remarkably honest portrayal of these lives -- the lives of people whose dreams and yearnings and regrets are at once unique and universal.




"Marvelous... Brownsville resembles early Steinbeck work more than anything else." --Carolyn See, Washington Post

'The screaming ambulance slows down a fraction as it hits the junction of parkway and Camden High Street. It feels as if my bladder is in my head, and any minute now it will explode, and blast piss and blood at a million-foot-pounds pressure out of my coke-scarred nostrils.' Noah Arkwright has experienced too much. A filmmaker and now a dry alcoholic, he's lived life to the full - sex, drugs and rock 'n' roll his relentless backdrop - but now the stakes are even higher. In his struggle to survive, Noah's cancer forces him to evaluate his chequered past life, and as a picture builds of a brave and incredibly foolish man, gradually it becomes clear that he's a modern-day hero of truly epic proportions.