The Year of Our Love - second hand

Calder White lives in the cold, clear waters of Lake Superior, the only brother in a family of murderous mermaids. To survive, Calder and his sisters prey on humans and absorb their positive energy. Usually, they select their victims at random, but this time around, the underwater clan chooses its target for a reason: revenge. They want to kill Jason Hancock, the man they blame for their mother's death.

It's going to take a concerted effort to lure the aquaphobic Hancock onto the water. Calder's job is to gain Hancock's trust by getting close to his family. Relying on his irresistible good looks and charm, Calder sets out to seduce Hancock's daughter Lily. Easy enough, but Calder screws everything up by falling in love - just as Lily starts to suspect there's more to the monster-in-the-lake legends than she ever imagined, and just as the mermaids threaten to take matters into their own hands, forcing Calder to choose between them and the girl he loves.

One thing's for sure: whatever Calder decides, the outcome won't be pretty.

One day an illiterate Algerian immigrant in Lyon gave his son, Azouz Begag, a book, saying, “This book is a bird.” How Begag took flight on the wings of learning is one of the stories that unfolds in this captivating autobiographical novel of growing up amid the multicultural complexities of contemporary France. 

Determined to leave behind the poverty of his shantytown life, Begag works to become a star pupil at the local primary school—earning the jealousy and rejection of his Arab playmates even as he contends with the anti-Arab racism of his French peers. Begag’s moving and often comical account of negotiating a path between the competing cultural spaces encountered during his childhood is a compelling tale of coming of age in a world of ethnic and racial tensions. A story for all ages, it is also very much of the moment, offering unique insights into the reweaving of the social fabric of France in response to growing ethnic diversity.

As a graduate student in upstate New York, Nathaniel Mason is drawn into a tangle of relationships with people who seem to hover just beyond his grasp. There's Theresa, alluring but elusive, and Jamie, who is fickle if not wholly unavailable. But Jerome Coolberg is the most mysterious and compelling. Not only cryptic about himself, he seems also to have appropriated parts of Nathaniel's past that Nathaniel cannot remember having told him about. In this extraordinary novel of mischief and menace, we see a young man's very self vanishing before his eyes.

Captain Corelli’s Mandolin is set in the early days of the second world war, before Benito Mussolini invaded Greece. Dr Iannis practices medicine on the island of Cephalonia, accompanied by his daughter, Pelagia, to whom he imparts much of his healing art. Even when the Italians do invade, life isn’t so bad—at first anyway. The officer in command of the Italian garrison is the cultured Captain Antonio Corelli, who responds to a Nazi greeting of “Heil Hitler” with his own “Heil Puccini”, and whose most precious possession is his mandolin. It isn't long before Corelli and Pelagia are involved in a heated affair--despite her engagement to a young fisherman, Mandras, who has gone off to join Greek partisans. Love is complicated enough in wartime, even when the lovers are on the same side. And for Corelli and Pelagia, it becomes increasingly difficult to negotiate the minefield of allegiances, both personal and political, as all around them atrocities mount, former friends become enemies and the ugliness of war infects everyone it touches.

British author Louis de Bernières is well known for his forays into magical realism in such novels as The War of Don Emmanuel's Nether Parts, Señor Vivo and the Coca Lord and The Troublesome Offspring of Cardinal Guzman. Here he keeps it to a minimum, though certainly the secondary characters with whom he populates his island—the drunken priest, the strongman, the fisherman who swims with dolphins—would be at home in any of his wildly imaginative Latin American fictions. Instead, de Bernières seems interested in dissecting the nature of history as he tells his ever-darkening tale from many different perspectives. Captain Corelli’s Mandolin works on many levels, as a love story, a war story and a deconstruction of just what determines the facts that make it into the history books.