Galina Petrovna's Three Legged Dog Story - second hand

'The screaming ambulance slows down a fraction as it hits the junction of parkway and Camden High Street. It feels as if my bladder is in my head, and any minute now it will explode, and blast piss and blood at a million-foot-pounds pressure out of my coke-scarred nostrils.' Noah Arkwright has experienced too much. A filmmaker and now a dry alcoholic, he's lived life to the full - sex, drugs and rock 'n' roll his relentless backdrop - but now the stakes are even higher. In his struggle to survive, Noah's cancer forces him to evaluate his chequered past life, and as a picture builds of a brave and incredibly foolish man, gradually it becomes clear that he's a modern-day hero of truly epic proportions.

When Catherine Gehrig, a museum conservator in London, falls into grief after her lover’s sudden death, her boss gives her a special project. She will bring back to “life” a nineteenth-century mechanical bird. As she begins to piece together the automaton, Catherine also uncovers the diaries of Henry Brandling, who, more than a hundred years prior, had commissioned the bird for his very ill son. Catherine finds resonance and comfort in Henry’s story, but it is the mechanical creature itself, in its uncanny imitation of life, that will link these two people across a century. Through the clockwork bird, Henry and Catherine will confront the mysteries of creation, the power of human invention, and the body’s astonishing chemistry of love and feeling.

Argen­tine author Marce­lo Bir­ma­jer uses his recur­ring char­ac­ter, Javier Mosan, to present a com­pli­cat­ed polit­i­cal tale with roots in his country’s trou­bled past. Mosan, a jour­nal­ist who does his best to avoid writ­ing sto­ries, spends a great deal of time indulging in sex­u­al fan­ta­sy. When his edi­tor asks him to inter­view Elias Traúm, an Argen­tinean who now lives in Israel, he thinks that it is just anoth­er rou­tine assign­ment. Traúm and two dead friends were known as the  “three mus­ke­teers” when they fought in the left-wing Per­o­nist guer­ril­la group, the Mon­toneros. Javier goes to the air­port to meet Traúm and ends up get­ting a severe beat­ing. Traúm is kid­napped. He is lat­er dumped by the side of the road and, Javier, relieved to learn that they both sur­vived, finds him­self drawn to the account of Traúm’s past despite orders from his edi­tor to drop the sto­ry. Read­ers who enjoyed Nathan Englander’s The Min­istry of Spe­cial Cas­es will find this com­pelling, too. It pro­vides insight into the world of Argentina’s Jew­ish com­mu­ni­ty as well as a top-notch con­spir­a­cy plot.

The first encyclopedic review in English of Lucette Desvignes' literary output. The prose, theater and poetry of France's most interesting contemporary authors is presented in a deft juxtaposition of commentary and translated extracts, interspersed by numerous illustrations and photos and completed by an extremely complete bibliography.